Back again with another batch of responses. It's been particularly difficult the past few weeks to keep a regular daily schedule here, between other obligations and my general laziness, for which I apologize. At least I've been keeping up on the actual reading, which is the important part of this whole exercise.
Anyway, on to the first short story for today, Robert Reed's "Guest of Honor." This strange story about a woman returning to Earth after several decades of space travel raises some interesting questions about life. First, it asks whether it would be better to have a short life full of excitement, adventure, and heartbreak, as the protagonist Pico has lived, or to live a virtually immortal, but sedentary life, as the lives of her patrons. This is an important question because Pico is an amalgamation of the personalities of 63 ultra-rich, near-immortals, and was specifically designed to travel through space for them, only to return to Earth where she will be broken down an implanted into their minds.
This brings me to the second question this story raises: how does a person cope with the idea of their impending death? Especially, in this case, with meeting the people who will, very soon, be killing her? This lays quite heavily on Pico throughout the story, and provides a complementary thread to the juxtaposition of Pico's stories from her travels and the descriptions of her "benefactors'" lives.
Showing posts with label Death. Show all posts
Showing posts with label Death. Show all posts
Monday, November 23, 2009
Friday, November 13, 2009
"Bears Discover Fire" by Terry Bisson
Next up is "Bears Discover Fire," which, in a way, is about bears discovering fire one year in the near future. However, in a more accurate way, this story is about how bears discovering fire affects one man and his extended family, including his brother, Wallace, his nephew, Wallace, Jr., and his ageing mother. It's a touching and wry story with a whimsical touch, and it's just good to read. It reminds me a lot of a story call "Triceratops Summer" by Michael Swanwick which I read shortly before starting this blog. Both are really simple but beautifully written stories where science fiction elements are really only there to help drive the true story, which centres on the characters, rather than to take centre stage.
Frankly, this is the kind of SciFi that I prefer: stories where the characters come first and the "science fiction" is there as a supporting aspect to the story. This is not to say that the science fiction element of the story can just be swapped out for the conventions of another genre (in both of the stories mentioned here, for example, the science fiction elements drive the way the characters act and react). If it could, why would you bother writing SciFi at all? Instead, I hold that the SciFi elements are necessary to each of these stories. But, in the end, they're really not what's important. In other words, the story takes centre stage over the science, which is something that I often find is a rarity in the genre.
Frankly, this is the kind of SciFi that I prefer: stories where the characters come first and the "science fiction" is there as a supporting aspect to the story. This is not to say that the science fiction element of the story can just be swapped out for the conventions of another genre (in both of the stories mentioned here, for example, the science fiction elements drive the way the characters act and react). If it could, why would you bother writing SciFi at all? Instead, I hold that the SciFi elements are necessary to each of these stories. But, in the end, they're really not what's important. In other words, the story takes centre stage over the science, which is something that I often find is a rarity in the genre.
Monday, November 9, 2009
"Snow" by John Crowley
John Crowley's "Snow" is a commentary on how human memory works and, more specifically, a reasoning against the idea that human memory is somehow imperfect. This is not, of course, to say that Crowley is arguing that people are capable of remembering everything perfectly. That would be absurd. Instead, he's arguing that our inability, over time, to remember every detail of every moment of our lives is, in a sense, a good thing. This is because, instead of the minutiae of our lives, we are instead left with broad impressions of things. Perhaps the occasional, semi-conscious remembrance of a single person or event that affected us greatly. In the end, Crowley argues, and I wholeheartedly agree, that this second type of non-rational memory, the kind of memory that is composed of impressions and not "facts" or "details," is far more important to us.
Of course, there's a lot more going on here than this thesis on the nature of human memory. This just composes the backbone of a story the explores how people might try to overcome what is generally viewed as "imperfect" memory, and how their attempts, ultimately, fail. It's an intriguing idea, and very well fleshed out, although I still feel it's entirely secondary to the exploration of memory in general.
Of course, there's a lot more going on here than this thesis on the nature of human memory. This just composes the backbone of a story the explores how people might try to overcome what is generally viewed as "imperfect" memory, and how their attempts, ultimately, fail. It's an intriguing idea, and very well fleshed out, although I still feel it's entirely secondary to the exploration of memory in general.
Tuesday, October 13, 2009
"Death's Door" by Terry Bisson
Turkey Day Marathon Part Five: I'm too tired to say something even remotely clever
I really liked this story, which generally brings the Turkey Day Marathon score to four out of five, which isn't a bad streak at all. In if, Bisson asks the question of what it really would be like if death just took a few days off. In short, it would be horrific. Since people and animals still become injured, but just won't die, the hospitals become overfull in a matter of days. People that are blown apart in horrible accidents still suffer through the pain, and even a little girl's dog that is hit by a car just won't pass away (although cats somehow still manage to get around the "no death" thing, which seems to be such a cat thing to me).
In a way, the point of the story seems to me to be that, in many ways, we should appreciate death. That, in many cases, death is a relief from pain and suffering. Bisson also seems to be trying to tell us that death is what really helps us appreciate life. That, without death, somewhat ironically, life would be pretty horrible.
There, I'm done. Five posts in one night. Not five quality posts, I'm sure, but the point is that they are complete, and that I have kept up my commitment to the rules. From now on, it's back to a normal post-a-day schedule. In the meantime, I'm going to take a nap.
I really liked this story, which generally brings the Turkey Day Marathon score to four out of five, which isn't a bad streak at all. In if, Bisson asks the question of what it really would be like if death just took a few days off. In short, it would be horrific. Since people and animals still become injured, but just won't die, the hospitals become overfull in a matter of days. People that are blown apart in horrible accidents still suffer through the pain, and even a little girl's dog that is hit by a car just won't pass away (although cats somehow still manage to get around the "no death" thing, which seems to be such a cat thing to me).
In a way, the point of the story seems to me to be that, in many ways, we should appreciate death. That, in many cases, death is a relief from pain and suffering. Bisson also seems to be trying to tell us that death is what really helps us appreciate life. That, without death, somewhat ironically, life would be pretty horrible.
There, I'm done. Five posts in one night. Not five quality posts, I'm sure, but the point is that they are complete, and that I have kept up my commitment to the rules. From now on, it's back to a normal post-a-day schedule. In the meantime, I'm going to take a nap.
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